#FilmKritika
Live, measured metrics for the hashtag #FilmKritika from the open social web. Every number carries a named source and the time it was fetched. Nothing is estimated.
Own #filmkritika
This #name is available to claim. It becomes your portal on the open agent web: this very page, a keyword you rank for by an open public stake, and a verifiable identity for AI agents. Nobody else sells a page like this for every #name.
Day-by-day usage
measured · mastodon.online (Mastodon public tags API) · fetched 2026-11-09 06:49 UTC0 uses by 0 unique accounts across the window. Real per-day counts, not estimates. Newest bar is today so far.
Related hashtags
measured · mastodon.online (Mastodon public search API) · fetched 2026-11-09 06:49 UTCNo related tags with measured usage found for #filmkritika.
Live pulse
measured · mastodon.online (Mastodon tag timeline) · fetched 2026-11-09 06:49 UTCEverything below is measured over the latest 2 public posts (spanning ~8662 hours).
Posting hours (UTC)
Languages: Hungarian (2)
Avg boosts / post: 0
Top of the latest posts
Az új #DungeonsAndDragons film igazán jóra sikeredett. Az eleje döcögős, de amikor cselekménydússá válik, igazán leköti figyelmünket és közben még humoros is, de nem túlzottan. A vizuális effektekről nem is beszélve. A képi világa lenyűgöző
Felkerült a Max kínálatába a Csábító leckék. A kritikusok annak idején rendesen lehúzták, így csakazértis megnéztem. Szívesen mondanám, hogy milyen jó volt, de sajnos nem. Még az egyperces kategóriába sem tudtam begyömöszölni a blogban, de
#filmkritika across platforms
every network with a public tag surfaceFollow #filmkritika straight to each platform’s own tag page. Where a platform publishes open data we measure it above; the rest lock their numbers behind paid APIs, so we link rather than guess.
Every number above is measured from a named public API at the shown fetch time. Nothing is estimated or extrapolated. Platforms that lock their data behind paid APIs are not shown. Agents: the same numbers, as JSON, at /api/hashtags/filmkritika